
In 2012, our wonderful friends Roz and John gave us a great gift. They introduced us to the world of contemporary art.
From that first visit to Carriageworks, I was hooked. Now, four years later, Pete and I are members of the MCA and we make a concerted effort to get to as many local exhibitions as we can.
In Sydney, we’re truly blessed to have access to the White Rabbit Gallery, a privately funded space housing the extensive contemporary Chinese art collection of Kerr and Judith Nielson. Entry is free and the entire gallery is re-hung twice a year.
Their current exhibition is titled Heavy Artillery and I personally think it’s the best one I’ve been to so far. I’m a great fan of large works, and White Rabbit have really pulled out the big guns this time. Let me share a few of my favourite pieces with you…
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This enormous creation – European Thousand-Armed Classical Sculpture by Xu Zhen (2013 – 2014) – is a carefully positioned line of classically Western sculptures. When viewed from front on, they cleverly resemble the multi-armed Buddhist deity Guanyin…

The artwork is enormous, filling up the entire lower ground display area. I took this photo from the first floor balcony…

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Chou Chu-Wang has five paintings hanging in the exhibition. This is just a small section of The Hours (2015). When you see the painting initially, it’s hard to believe that it’s a) two dimensional and b) not a photograph. Instead, almost unbelievably, it’s meticulously hand painted. The artist creates his works with minuscule paint flecks – around 350,000 dots per square metre…

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He Xiangyu’s Tank Project (2011 – 2013) is a recreation of an old T34 tank in Italian leather. Sitting like a giant collapsed handbag on the top floor of the gallery, it invokes memories of Tiananmen Square while making a statement about China’s obsession with expensive designer goods.
One interesting thing to note is how brilliant the curatorial decisions made by the White Rabbit Gallery are in terms of display. Apparently the artist was delighted with how Tank Project was exhibited – on a black vinyl floor (note the amazing reflections) with black rusty painted walls…

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Hsu Yung-Hsu’s 2011-27 (2011) is an interesting and substantial porcelain creation. The entire work was handmade by the artist…

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Shinji Ohmaki is a rare Japanese artist in the White Rabbit collection. His Flotage-Tectonics (2013 – 2015) comprises 283 acrylic cubes, assembled to create a floating wall with meticulously copied map contour lines. The artists reflects on what the earth’s memory might look like. Because of the translucency of the acrylic and the design, the lines and patterns appear to interact with each other as the viewer moves past them – something which is impossible to capture in a still photograph. It’s definitely an artwork to view in person if at all possible…


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Liu Wei’s Density 1-6 (2013) is glorious! He has recreated 3D geometric shapes on a gigantic scale – these appear to be made from concrete or stone but are actually created from compressed paper taken from used textbooks. I found the display very soothing…

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Finally, a very poignant set of fourteen prints by Jiang Zhi.
Love Letters (2014) is a tribute to the artist’s wife Lan (Orchid) who died at 37. Each is a photo of a flower set alight and captured in that brief instant during which both the flower and flame are “in bloom”. I found them hauntingly beautiful, as if the burning flowers were on the verge of ascending through the flames to a higher plane…

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This is just a small snippet of the Heavy Artillery exhibition at the White Rabbit Gallery. The artworks are so substantial that it’s hard to do them justice in photos – if you’re based in Sydney and enjoy contemporary art, it’s definitely worth a visit in person!
White Rabbit Gallery
30 Balfour Street
Chippendale NSW 2008
Heavy Artillery is open 10am to 5pm, Wed-Sun.
The exhibition runs until 7 August 2016




































