
The MCA staff laughed when they heard us squealing…”Look how skinny we are in this mirror!”
I think…that when you’re blessed with friends who have extensive experience in a particular field, you should jump at any offer they make to share their knowledge with you.
So when my dear friend Roz MacAllan, former gallery owner and long time art collector, offered to visit the Anish Kapoor exhibition at the MCA with me, I wasn’t about to let sluggish public transport or heavy rain stop me. We met at the very cool MCA gift shop, then headed to the top floor café for a long and chatty lunch, before setting out to explore the exhibition.
And it was amazing.
So much so that I actually considered not blogging about it, because there was simply no way my photos could do it justice. Often I find contemporary art moving and/or thought-provoking, but in this instance, I found it exhilarating and great fun. And that’s because nothing was quite what it seemed to be (which in turn made it difficult to capture the experience in photos).
On the ground floor is Kapoor’s My Red Homeland (2003) – an enormous dynamic sculpture created from 25 tons of paraffin wax and oil pigment paint. A huge motorised arm rotates slowly, cutting a swathe through the wax, constantly and gradually reshaping it as it goes…

The artist offers very little commentary on his pieces (often we couldn’t even locate name plates), preferring to allow viewers to come to their own conclusions. To me, the wax resembled butchered flesh…

Mirrors, mirrors, everywhere! Fun, large, tricky mirrors, which incorporated the observer as part of the artwork, which in turn meant that every piece was different depending on who was viewing it and from what angle…


My favourite piece of the exhibition, with the mirror shards cut and rejoined at a variety of different angles, creating ever changing reflections…

Here I am…

…and here’s Roz…

This piece intrigued us – it’s hard to see from the photo, but depending at the angle from which it was viewed, a skin seemed to appear over the surface of the inverted dome…

Several of Kapoor’s artworks explore depth and colour perception – this one appeared to my eyes to be a square of red velvet. In fact, it’s a one metre deep void, but despite my standing there staring at it for nearly ten minutes (from nearly every angle), I just couldn’t perceive any depth to it (please forgive the very ordinary photo)…

The diversity of Kapoor’s pieces was fascinating – Roz could see his signature touch on all of them, but I found this one quite different. It’s an early piece entitled 1000 Names, and appears to reflect the artist’s Indian heritage in its use of colours and shapes…

This large red lens magnified the image on the other side – I adored the Stargate feel to it…

Memory is an enormous (24 ton) Cor-Ten steel structure, which completely filled the room it was displayed in. From an adjoining corridor, you can look into the cavernous interior of the structure…


Mirrors, and more mirrors! These pieces, entitled S-Curve (front of photo) and C-Curve (back), were a huge hit with the children, with different sections of each piece offering a quirky and slightly different reflection…

As I left the MCA, the rain eased up just long enough for me to take a photo of the Sky Mirror, one of Kapoor’s most celebrated artworks. The ten metre mirror reflects an inverted image of the sky, but on that overcast day, it seemed to glow like a beacon, sending signals into space (I was being fanciful, I know, but the afternoon had left me feeling quite euphoric)…

Sydneysiders, if you haven’t yet been to the Anish Kapoor exhibition at the MCA, I hope you’ll get a chance to go before it closes on the 1st of April. Entry costs $20 for adults, and it’s definitely money well spent!
Museum of Contemporary Art
140 George St
The Rocks, Sydney NSW 2000
10am – 5pm Mon – Wed, Fri – Sun
10am – 9pm Thursdays
Website: Anish Kapoor at the MCA























