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Archive for the ‘Cool Things’ Category

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When I had my recent cross stitch revival, I went digging through the storeroom to find my old patterns.

In amongst the appallingly twee designs (Holly Hobby, cutesy angels and an entire books of teddy bears), I found my Charley Harper charts. And I realised that after thirty years, I still loved them…

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Given that they’d withstood the test of time, we thought it might be nice to try and find some Charley Harper art for our walls. Harper was a Cincinnati-based American Modernist artist, with a highly stylised, geometric style that focused almost exclusively on wildlife. Both Pete and I find his use of shape, colour and humour very appealing.

We bought this beautiful coffee table book from Amazon...

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I also added two sets of postcards to our order. They’re printed on thick gloss card, which makes them ideal for framing. We laid them out on the dining room table and spent an enjoyable couple of hours sorting through them…

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I’d purchased three silver photo frames at a closing down sale earlier in the year, and the mats were exactly the right size for the cards. Narrowing it down to just nine designs was tricky – I, of course, simply picked the ones I liked best, but Pete took into account colours and curves and themes. The nesting birds, for example, all have similar leaves…

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Art really doesn’t have to be expensive – the frames (including mats) cost $20 each (half price) and the postcards worked out at just 50c each.

I’m so chuffed with how these turned out – they’ll look wonderful hanging in our hallway!

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Grayson Perry

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I had the very best of intentions to write a long and detailed post about Grayson Perry’s My Pretty Little Art Career exhibition, currently showing at the Museum of Contemporary Art in Circular Quay.

Then I changed my mind.

It’s not possible to do Mr Perry justice in a blog post – you really need to get in and experience the sheer size and majesty and complexity and irreverence of the collection for yourself.

So instead, let me offer you just a few teaser snippets. If you’re in Sydney, make sure to get there before the exhibition closes on the 1st May. If you time it right, you’ll be able to visit the Biennale Embassy of Translation as well!

This is one of my favourite pieces, the artist’s own robe. There’s some gloriously intricate needlework involved…

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Grayson Perry works in a wide range of mediums – ceramics (which appear to be his greatest love), textiles, wood and metal. This piece – Head of a Fallen Giant (2008) – is one of the few he’s made in bronze…

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Most of the paper and textile artworks are so large that they can’t be captured in a single frame. They also tend to be intricately detailed, inviting careful examination and consideration. Many are cheeky and quite pointed in the message they’re conveying (do you like where “shopping” lives?)…

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In the introductory video, Grayson refers to himself as “a car crash of cultural influences”. Nowhere is this more evident than in his ceramic pieces, like this traditionally shaped Chinese style urn, adorned with skateboarders…

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The scale of his tapestry pieces is amazing – each is carefully designed and plotted out by the artist, then commercially woven under his supervision…

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Lots to giggle about in this very British piece…

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There are a couple of the artist’s drawing books on display. It’s intriguing to think that this sketch…

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…became a giant detailed fabric piece that was too wide to photograph in its entirety…

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Finally, a small section of Print for a Politician – the completed colour etching is about six times larger than the photo below…

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If you get a chance, I’d highly recommend popping in to view the exhibition. It’s a paid show ($20/head, or free to MCA members) and well worth the entry fee. Just make sure you allow at least a couple of hours to take it all in!

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It’s hard to believe that it’s been a year since the Festival of Fifty!

So much has happened in the intervening 12 months and if I’m honest, I’d have to say it hasn’t been the easiest year of my life. But that’s what living is about, right? It’s hard to appreciate how gloriously good life is most of the time, if there aren’t a few bumpy bits along the way.

One of the highlights over the past year has been my growing fossil collection, as I steadily raid (as time and cashflow permit) the amazing vaults of my mate Tom at the Living Fossil Gallery. I recently purchased a small selection of 110 million year old ammonite halves. They’re relatively inexpensive, with each pair costing between $20 – $30 depending on size…

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Last year I also discovered a passion for steampunk jewellery! It’s funny how our tastes evolve and change with age. I was surprised by how instantaneous the attraction was – I was casually strolling past the Time Flies Designs stall at Paddington Markets and came to a dead halt, leaving half an hour later with this exquisite pendant for Pete’s birthday. It’s meticulously crafted from two upcycled 1886 pocket watches…

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A few weeks ago, I had the brilliant idea (even if I do say so myself) of adding steampunk elements to my ammonites. To me, the swirl and shape of the fossils offered a perfect compliment to the curvy watch mechanisms of old.

I chose three ammonite halves and commissioned Juan and Olivia of Times Flies Designs to create bespoke pendants for me. They’d never made anything like this before, so it was quite a challenge for them, both in terms of design and execution. I asked for three different looks, but was happy to leave the actual layout to them. Unlike other designers, Juan doesn’t just glue his parts on with epoxy resin – each piece is carefully drilled and screwed into place.

And oh, how they excelled themselves! When I picked the pendants up last weekend, I nearly wept with joy at how gorgeous they were. Pete decided to make them his birthday gift to me, and I haven’t been able to stop staring at them. Wherever possible, Juan will add movement to his creations, so each of my three pieces have cogs that turn and wheels that spin.

This Madagascan Lytoceras ammonite (formed during the Cretaceous period) is enhanced with parts from a 1904 Elgin pocket watch. The wee flower wheel at the base spins, and the needle moves from left to right, shifting the attached gears accordingly. It tickles my fancy that the 110 million year old fossil has a 110 year old watch part attached to it…

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It’s hard to capture in a photo, but the stones have a polished reflective shine to them (you can see a glimpse of it in the first pic)…

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This particular ammonite is also partially translucent…

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Another Lytoceras, this one assembled under Olivia’s careful designer’s eye. The large silver piece holds in place a spinning brass balance wheel at the centre of the stone…

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Big Boy and Pete love this one – the great affinity between the natural colour and shape of the fossil and Olivia’s design appeals to their engineering sensibilities…

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Finally, possibly my favourite piece (although it’s very hard to choose), this Cleoniceras ammonite is a perfect match for the curvaceous vintage Longines mechanism that Juan chose. The large gear spins, as does the Elgin balance wheel in the centre. Each pendant hangs on a long stainless steel chain…

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All the engravings are original to the pocket watches and refer to technical specifications such as the number of jewels used and lines of movement. So different to modern day watches which are basically just a small computer and a battery!

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As you can probably tell, I’m more than a little excited about these! It’s the first time in my life that I’ve ever commissioned jewellery (we even bought off the shelf engagement and wedding rings). Bring on 51, I’m ready!

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A big thank you to our friends Juan and Olivia of Times Flies Designs (Paddington Markets) who went way beyond what I expected to create these masterpieces! And to Tom of The Living Fossil Gallery (Mosman and the Rocks Markets) for always having the most brilliant treasures available at such reasonable prices! x

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November Jewels

It happens every November.

I’m not sure if it’s the changing light, of the approach of Christmas, but at the same time each year, I pull out my boxes of vintage Swarovski crystals and silver findings, and I start wrapping loops.

I find the process very meditative and the sense of satisfaction which comes from creating a new piece is incredible. This year I set myself a challenge – to see what I could make using only my existing (admittedly substantial) stash.

These 12mm Swarovski Tabac (tobacco) rounds are quite rare. I adore their smokiness, but the colour wasn’t popular and was quickly discontinued in the larger sizes. I’ve wired them very simply onto sterling silver…

This year’s earrings have a slightly hippy feel to them…

As I’m wearing quite a few of my friend Valentina’s vintage china pendants this spring, I’ve made a pair of white bell earrings to match. They’re Swarovski crystals (from the 1960s) in a rare opaque finish…

I think they work well together…

As do these ruby drops on large sterling hoops…

My lovely neighbour Michelle popped over this morning to pick up this set. The vintage Swarovski Montana crystals are a deep grey blue, and they match her eyes…

After a week of spreading out over the dining room table, completely absorbed in the design and making process, Pete finally said, “it’s time to put the pliers away, babe”. Bless him, he’d quietly cooked dinner for three nights in a row. So I’ve tidied all my boxes of treasure away into the study…for now…

Do you have a hobby which completely absorbs you?

Tutorial: Make your own Crystal Earrings

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Turkish Treasures

My friends Metin and Moya of Turkuaz Motif are closing their store in Crows Nest. They’ll now be concentrating on their market stalls across Sydney (details here). If you’re in the area, you still have three days to pop into their shop (127 Willoughby Road) to pick up some last minute bargains.

I visited today and bought this stunning, hand-painted platter.  It’s very large – 42cm in diameter – and matches several smaller bowls and plates that I already own…

It’s a damaged piece that has been carefully repaired by Metin.

I love that, because it means that hours of meticulous craftsmanship haven’t gone to waste, the plate didn’t end up in landfill, and I had the opportunity to buy something at a massively discounted price that I couldn’t justify otherwise.

I’ll treasure this platter, because now it has a story. Perfection is overrated, and often very, very wasteful.

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The exquisitely detailed fabric below is known as a Suzani, and it’s an Uzbek wedding cloth.

It was hand-embroidered by a bride as part of her dowry in 1982 (the date is stitched into the fabric). Metin told me that often a spare would be made, which would then be sold if the wife didn’t need it or if funds were required. I can’t imagine anyone putting so much work into something and then selling it!

I’d never seen these traditional tribal textiles before and I was instantly smitten. At 1.5m x 2.6m, it will make an amazing tablecloth if I can find a sheet of plastic large enough to protect it. The second photo below (under the coffee cup) shows the needlepoint in more detail…

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I don’t have any affiliation with Turkuaz Motif, but Metin and Moya are incredibly lovely and I’m very keen to support them. When Mum and I walked by their stall at the Rocks Markets shortly after Dad passed away, Met went out of his way to give Mum a small bowl as a gift. She was very touched by his kindness. Today as I was leaving, he gave me this tiny espresso cup and saucer, and an enameled copper ring…

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If you’re in Sydney and a fan of Turkish ceramics or Central Asian textiles, you have until Saturday to pick up a bargain at their Crows Nest store. Otherwise, you can catch them at the Rocks Markets (every Saturday or Sunday) or the Kirribilli Markets (every fourth Saturday of the month). Say hi for me!

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